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The film is framed as the recollections of Sergeant Galoup, a former French legionnaire stationed in Djibouti (he’s played with a mix of cruel reserve and vigorous physicality with the great Denis Lavant). Loosely according to Herman Melville’s 1888 novella “Billy Budd,” the film makes brilliant use on the Benjamin Britten opera that was likewise influenced by Melville’s work, as excerpts from Britten’s opus take on a haunting, nightmarish quality as they’re played over the unsparing training workout routines to which Galoup subjects his regiment: A dry swell of shirtless legionnaires standing while in the desert with their arms during the air and their eyes closed as if communing with a higher power, or continuously smashing their bodies against one particular another in a very series of violent embraces.
, among the list of most beloved films of your ’80s plus a Steven Spielberg drama, has a great deal going for it: a stellar cast, including Oscar nominees Whoopi Goldberg and Oprah Winfrey, Pulitzer Prize-profitable resource material along with a timeless theme of love (in this situation, between two women) like a haven from trauma.
Some are inspiring and thought-provoking, others are romantic, funny and just simple entertaining. But they all have 1 thing in prevalent: You shouldn’t miss them.
The old joke goes that it’s hard for any cannibal to make friends, and Fowl’s bloody smile of the Western delivers the punchline with pieces of David Arquette and Jeremy Davies stuck between its teeth, twisting the colonialist mindset behind Manifest Destiny into a bonafide meal plan that it sums up with its opening epipgrah and then slathers all over the screen until everyone gets their just desserts: “Consume me.” —DE
There are profound thoughts and concepts handed out, nonetheless it's never published over the nose--it's subtle enough to avoid that trap. Some scenes are just Outstanding. Like the one in school when Yoo Han is trying to convince Yeon Woo by talking about coloration theory and showing him the color chart.
A married person falling in love with another person was considered scandalous and potentially career-decimating movie fare in the early ’80s. This unconventional (within the time) love triangle featuring Charlie’s Angels
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The little guy has rock hard erection, concealed in his underwear, making the sign clear that he’s aroused. This isn’t a first for Dr. Wolf, but this definitely begins to arouse the taller, older male. Outside of very special circumstances, he would never consider breaching his profession’s prohibition of sexual contact between himself and his patients, but he’s stunned when the young man asks to begin to see the size of his endowment! It’s clear in Austin’s Pup Doggy eyes that the boy longs to wrap his hands around the doctor’s huge cock and feel the weight of his hefty balls. The good doctor doesn’t have the heart to convey no… The doctor pulls out his massive organ, making Austin swoon as he grasps it, sensing its size and girth. His physician’s erection is nearly as massive as tiny Austin’s entire forearm! Within no time, the doctor has the boy down on his knees; kissing, licking, and worshipping The person’s huge cock! Standing next to him, Austin feels small next to his giant doctor. A rush of sexual energy courses through his body like electricity seeing the handsome face of the towering man looking down from such an impressive peak. Dr. Wolf feels momentarily worried for his little patient as he watches him take the Unwanted fat head as well as first inch of his thick shaft into his mouth. Nevertheless, the large doctor can’t resist pushing it further into the little person’s throat. And as he does, he feels his cock grow bigger in Austin’s tight, virginal throat. Austin is set, fighting through tears to accommodate the long, thick cock that was growing inside him! Looking down with the young person’s handsome face, the doctor can’t help but think of how beautiful it would potno be to see this tiny little guy wrestle as he popped the boy’s cherry and sheathed his meat for the first time in his tight, smooth hole…
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Spielberg couples that vision of America with a way of pure immersion, especially during the celebrated D-Day landing sequence, where Janusz Kaminski’s desaturated, sometimes handheld camera, brings unparalleled “you might be there” immediacy. The way in which he toggles scale and stakes, from the endless chaos of Omaha Beach, into the relatively small fight at the tip to hold a bridge in a bombed-out, abandoned French village — still giving each struggle equal emotional body weight — is true directorial mastery.
Dripping in radiant beauty by cinematographer Michael Ballhaus and Aged Hollywood grandeur from composer Elmer Bernstein, “The Age of Innocence” above all leaves you with a feeling of sadness: not for any earlier gone by, like so many time period pieces, but with the opportunities left un-seized.
The year Caitlyn Jenner came out as a trans woman, this Oscar-winning biopic about Einar Wegener, among the first people to undergo gender-reassignment medical procedures, helped to even further improve trans awareness and heighten visibility with the Neighborhood.
Further than that, this buried gem will always shine because of the simple wisdom it unearths while in the story of two people who come to understand the good fortune of finding each other. “There’s no wrong road,” Gabor concludes, “only lousy company.” —DE
Minimize together with a degree of precision that’s almost bfxxx entirely absent from the remainder of Besson’s work, “Léon” is as surgical as its soft-spoken hero. The action scenes are crazed but always character-driven, the music feels like it’s sprouting directly from the drama, and Besson’s eyesight of the sweltering Manhattan holy fuck he is digging himself a hole in that twinks body summer is every bit as evocative as the film worlds he established for “Valerian” best porn or “The Fifth Component.